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Whether your work is representational or nonrepresentational, composition matters.
Read Greg Albert's critique. » “Is this painting ho-hum?” asks the painter of a lush rural landscape. Find out what’s right about the work and what’s needed?
Read Greg Albert's critique. » The expressive energy of the falcon in the painting American Kestrel makes the work a success. Learn how a greater sense of depth could make the painting even better.
Read Greg Albert's critique. » Colored pencil is an ideal choice of medium for the artwork, Brass, Copper and Silver.
Read Greg Albert's critique. » Three factors contribute to the dramatic effect of a charcoal portrait by Diane Chilson.
Read more about tonal value, contract and composition. » Teasels and Berries (watercolor) is a lovely botanical painting that should inspire artists to explore this unusual and interesting genre.
Read Greg Albert's critique. » Enjoying the Sunlight (pastel) by Ida M. Glazier grabs the viewer’s eye for several reasons: good use of light and dark color contrast, a solid composition and excellent use of texture.
Read more of Greg Albert's critique. » No matter how representational or realistic, a painting must be based on an underlying composition of interesting shapes, effective use of contrast, and a path for the eye.
Read more about design and composition » |
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