ART HISTORY Articles 2 min read

Charles Demuth: American Modernist

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To people who live in Lancaster, Penn., the region’s influence on American art and crafts is simply part of life. For outsiders, it may seem like a curious location to highlight as an artistic hub. The area, chosen for the first Artists Network Art Fest, has a rich artistic heritage, with one especially notable highlight: Charles Demuth (1883–1935). Hailing from Lancaster, he made an indelible mark on the American art scene during the early 20th century and helped shape an American identity in the art world. In this article, we delve into Demuth’s life and work, focusing on three key features that define his artistic influence.

Lancaster (In the Province No. 2) (1920; Opaque watercolor and semi-gloss opaque paint over graphite on board, approximately 24×20) by Charles Demuth Credit: Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950; 1950-134-45

Precisionist Style

Demuth is renowned for being a prominent exponent of the Precisionist movement, which emerged in the United States during the 1920s. Precisionism sought to depict the modern industrial world with a sharp focus on geometric shapes, clean lines and meticulous attention to detail. Inspired by his love for Lancaster’s urban landscape and influenced by the industrialization of the region, Demuth’s paintings showcased the beauty of cityscapes through his distinctive Precisionist lens. These aspects of work aligned with the emerging trends within the avant-garde movements of the early 20th century, including Cubism and Futurism, and helped solidify him as an influence for future abstract artists.

One of Demuth’s notable works that exemplifies his precisionist style is My Egypt (1927). This painting depicts a grain elevator—a subject that might seem mundane to some, but Demuth transforms it into a mesmerizing visual symphony of shapes and colors. The painting’s precise lines, bold colors and juxtaposition of geometric forms convey the grandeur and complexity of the modern industrial landscape. Through My Egypt, Demuth invites viewers to appreciate the artistic potential found in everyday scenes.

My Egypt (1927; oil, fabricated chalk and graphite pencil on composition board, 36×30) by Charles Demuth Credit: Whitney Museum of American Art, New York; purchase with funds from Gertrude Vanderbilt Whitney; 31.172

Urban Landscapes

Demuth’s choice to paint urban landscapes and his unique perspective on ordinary structures played a significant role in the fine art of the early 20th century. During this time, the art world was experiencing a shift away from traditional European influences and toward a distinctly American art movement known as American Modernism. This movement sought to capture and express the essence of American life, culture and identity.

The artist’s urban landscapes, particularly his representations of industrial and commercial buildings, reflect the growing importance of cities and industrialization in American society. They represent a departure from the pastoral and rural themes prevalent in earlier art movements and emphasize the rising influence of urbanization on the nation’s development.

I Saw the Figure 5 in Gold (1928; oil, graphite, ink and gold leaf on paperboard, 35½x30) by Charles Demuth Credit: The Metropolitan Museum of Art, Alfred Stieglitz Collection, 1949; 49.59.1

Homage to American Icons

Beyond his signature styles, Demuth also gained acclaim for his unique approach to depicting American icons. Demuth’s most famous painting, I Saw the Figure 5 in Gold, pays homage to American icons of the early 20th century and was inspired by his friend William Carlos Williams’s poem, “The Great Figure.” The artwork, described as a visionary accounting of Williams, features a medallion-like arrangement of angled forms, referencing the verse the poet wrote after seeing a fire engine pass by on a rainy Manhattan street. This masterpiece is considered a witty and distinctly American work that anticipates Pop art and symbolizes the interconnectedness between different art forms during the 1920s. Demuth intended to create a series of 10 poster portraits to honor his creative friends such as Arthur Dove, Georgia O’Keeffe and Gertrude Stein. While six were completed, they posed a challenge for critics due to their abstract and referential style.

Poster Portrait: O’Keeffe (1924; poster paint on pressed-paper board, 20½x16½) by Charles Demuth Credit: Transfer From the Beinecke Rare Book and Manuscript Library, Gift of Georgia O’Keeffe to the Alfred Stieglitz/Georgia O’Keeffe Archive, Yale Collection of American Literature; 1960.72

The legacy of Charles Demuth stands as a testament to the continued artistic influence Lancaster has on the art world. His popularizing of Precisionism, his dynamic urban scenes and his unique approach to celebrating American icons makes him a celebrated figure in the annals of American art history.


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